Source

What is being read, and the curve and primaries it was written with. Everything downstream is decided from these.

Exposure 0.0 EV

A stop is a factor of two before the curve, not after it. It moves which part of the curve the scene lands on.

Tone curve

Use the custom curve instead

Seven, where the page offered nine. The two named BT.2446 were a gamma-domain scale and a Reinhard, and both crushed mid-grey to black — they are in Operators, shown for what they were.

Low-level operator

Grade

After the curve, in the working space. The luminance these mix toward is the working space’s own now, not Rec.709’s — and the hue control rotates hue, which it did not.

Working → target

Mark out-of-gamut pixels Dither the 8-bit output

Bradford between the white points. The out-of-gamut mark is a real overlay now: the pipeline always computed the flag, and only the checkbox that would paint it was never read.

Display peak 100 nits Source peak 1000 nits

Two controls, because they are two quantities. One slider was both — and below 201 nits it silently substituted 1000 for whatever it read.

Presets

The mapped frame

—

— Scene-referred Photographic

The curve, scene value 0 to 5 across

These fill the custom curve’s knee, mid and shoulder. They show only with “Use the custom curve instead” ticked.

Compare

Two are kept in the list because a saved link still names them, and because what they did is worth being able to see.

Read out at

Mid-grey is where a tone map is judged: an operator that moves 0.18 a long way has changed the exposure of the picture, not just its highlights.

Curve domain

Scene values run past 1. A curve drawn only to 1 hides the part that decides what happens to a highlight.

All of them on one pair of axes, at the peaks the Lab is set to.

Nine operators, and what each returns

The mapped frame, measured

Histogram — output, 256 bins

Waveform — output luma by column

The dashed line is display white, not the top of the canvas — so a trace touching it means something.

Vectorscope — output chroma

Chroma after the gamut map, so what is drawn is what the target can carry.

False colour, and the peak it is counted against

Controls that were read and never used

Every dataset and transform this tool rests on

What to take

Only the formats that fit the selection are offered. A 1D curve in a 3D cube is 35,937 lines carrying 99 numbers.

Input domain

Written into the file as DOMAIN_MIN / DOMAIN_MAX. The two exporters used to disagree — the CSV swept 0–5 and the cube 0–1, with neither saying so.

The button names the file it writes. Nothing leaves this page until you press it.

Analyse a list

Exactly what you will get

What this file carries, of the eleven steps the viewport ran

Tone Mapping